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CRANACH, Lucas the Elder Portrait of Johann Friedrich the Magnanimous at the Age of Six oil painting reproduction


Portrait of Johann Friedrich the Magnanimous at the Age of Six
mk170 date 1509 Oil on wood 42x31.2cm
new16/CRANACH, Lucas the Elder-623283.jpgPainting ID::  42958
 

 

 
   
      

CRANACH, Lucas the Elder
  
German painter (b. 1472, Kronach, d. 1553, Weimar). German painter and engraver. The son of a painter, he settled in Wittenberg c.1504 and was court painter successively under three electors of Saxony. There he maintained a flourishing workshop and was twice burgomaster. Cranach was a close friend of Martin Luther, whose doctrine he upheld in numerous paintings and woodcuts, and he has been called the painter of the Reformation. He was a rapid and prolific painter, and the work turned out by his studio is uneven in quality. Naïve and fanciful, often awkward in draftsmanship, it has, nonetheless, freshness and originality and a warm, rich palette. His portraits are particularly successful. Among his best-known works are Repose in Egypt (Gemäldgalerie, Staatliche Mus., Berlin-Dahlem); Judgment of Paris (Staatliche Kunsthalle, Karlsruhe); Adam and Eve (Courtauld Inst., London); and Crucifixion (Weimar). The latter contains figures of Luther and Cranach. His many famous protraits include those of Elector John Frederick and Self-Portrait (Uffizi). Cranach was also an accomplished miniaturist. He produced a few copperplates and designs for woodcuts. His son and pupil Lucas Cranach, the Younger, 1515C86,
Portrait of Johann Friedrich the Magnanimous at the Age of Six
mk170 date 1509 Oil on wood 42x31.2cm

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| Unknown man, formerly known as John Churchill, 1st Duke of Marlborough by Sir Godfrey Kneller, Bt | A dead bird | Jacob Seisenegger - Portrait of Elisabeth of Austria | Francis Godolphin, 2nd Earl of Godolphin by Jean Baptiste van Loo | Edward George Villiers Stanley, 17th Earl of Derby by Sir William Orpen | | View of Delft after the Explosion of 1654 af | Adam und Eva | Night | Schnitterin | gata madeira |


        

 

 

 

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